Archive for the ‘Consumer Protection’ Category

New Media Law moves!

On Monday 8th December, New Media Law moved from Little Portland Street in Noho, to Hanover Square in Mayfair.

The full address of our new office is:

24 Hanover Square

London, W1S 1JD

All other contact details remain as they were previously.

We look forward to welcoming you to our new office very soon!

The Intellectual Property Act 2014 and design rights

In the UK design law is primarily governed by the Copyright, Designs and Patents Act 1988 (CDPA) and the Registered Designs Act 1949 (RDA).

On 1 October 2014 the Intellectual Property Act 2014 came into force which makes, amongst other, two small but significant changes to design law.

Ownership of commissioned works retained by creator

Under previous law, both unregistered and registered UK design law stated that where a design was created in pursuance of a commission agreement/arrangement, the person commissioning the design is the first owner of any design right. The 2014 Act changes this to a position where the owner of the design- registered or unregistered- will now be the designer unless otherwise contractually agreed by both parties.

The effect will be an increase in commissioning agreements that clearly outline the rights of each party. Outlining such rights will avoid any uncertainty as to who owns the design rights concerned. The position under an employment contract with regards to the ownership of registered designs created by an employee remains unchanged. In this case the employer will continue to own the rights attached to the design created in the course of employment.

Unauthorised Copying

Under previous law, there were no criminal sanctions for infringement of registered designs. This has now changed through section 13 IPA 2014, which has the effect of creating criminal sanctions for infringement of registered design rights of imprisonment for a term not exceeding ten years or to a fine or to both. This applies to the jurisdictions of England, Wales and Scotland. An important proviso is that the person must know or have reason to believe that the design is a registered design upon committing the offence.

This has the effect of protecting rights owners further especially in matters that involve counterfeit products and designs. It is important to remember that this provision only applies to registered designs. 

Whether this will prove to be a sufficient deterrent is yet to be confirmed by future case law and the impact it will have.


Paida Dube, Intern, New Media Law LLP



UK Music Industry announces record growth

The UK music industry announced record year on year growth in 2013 of 9%.

This is a phenomenal success, when one considers that the UK economy as a whole grew by 1.9%.

Perhaps the corner has in fact been turned….


See the UK Music report in full here:

MIPCOM attendance



We are delighted to announce that the following of our lawyers will be attending MIPCOM this year, from Sunday (11th) to Wednesday (15th) October.


Ian Penman – Partner   ( )   ( +44 7765 244 111 )

Paul Hosford – Partner  ( )   ( +44 7765 244 222 )

Michael Hekimian – Counsel  ( )   (+44 7979 345 181 )


For further information, please contact:

+ 44 20 7291 1670

Screen and cache copies are not an infringement of copyright

A recent Court of Justice of the European Union decision confirms that browsing websites does not infringe copyright:

Newspaper Licencing Agency Ltd and others v Public Relations Consultants Association Ltd [2014]

Article 5 of Parliament and Council Directive 2001/29/EC of 22 May 2001 established that website copies on an end-user’s computer screen and in the Internet ‘cache’ of the computer’s hard disk could be made without the copyright holders’ authorisation while the end-user is browsing the internet. The copies in question were held to be “temporary”, “transient or incidental” in nature and an “integral and essential part of a technological process”.

The Public Relations Consultants Association (“PRCA”) use a third party called Meltwater to monitor reports on press articles published online.  The reports are compiled using key words inputted by the PRCA.  Meltwater wanted their customers’ acts of reproduction to be exempted from the Article 2 reproduction right.

The Newspaper Licensing Agency collectively licences newspaper content and wanted Meltwater and its customers to obtain authorisation from copyright holders for providing and receiving the media monitoring service.

The PRCA appealed to the Supreme Court in the UK, who referred certain questions to the Court Of Justice of the European Union in Brussels (the “CJEU”). The CJEU interpreted Article 5(1) as well as Article 5(5) of the Directive to decide whether the conditions were satisfied.

Following the precedent set in Football Association Premier League Ltd v QC Leisure (which established that the conditions of Article 5(1) and Article 5(5) need to be satisfied), the CJEU held that this was a special case since the on-screen and cached copies were only for viewing websites. These copies were held not to conflict with a normal exploitation of the works and did not unreasonably prejudice the legitimate interests of the properly safeguarded rights holders.

Bankole Kasumu, Intern, New Media Law LLP

Ian Penman spoke at rAsia conference in Moscow, 25-28 June 2014

Ian Penman, one of the founding partners of New Media Law, spoke (for the 2nd time, having attended the conference in 2013) at the rAsia conference in Moscow in June.

For further details of the conference, please see:

Ian presented on the background and function of New Media Law at 12.30pm at the “TELL Academy” on Thursday 26th

He also spoke on the subject of “LEGAL ASPECTS OF THE NEW DIGITAL ENVIRONMENT” in the Main Hall of rAsia at 3.15pm  on Thursday 26th.

The presentation focussed on legal developments across Europe and the USA, notably the drive to “encrypted” content and storage, following on from the closure of sites such as KAZAA ( and LimeWire (  and the impact of the “Kim Dotcom” litigation.

He also spoke on Friday 27th:


in a panel chaired by Ralph Simon in Hall A of rAsia at 10.15am

The panel focussed on what the new technological developments mean for the content and media industries.

And again on:


in a panel chaired by Shaukat Shamim, of YouPlus, in Hall A of rAsia at 17.00

The panel focussed on what the move to wireless means for content owners and advertisers.

For further details, please contact:

or, Ian himself, at:


On 6 June 2014, the Chinese government took a major step forward in the protection of IP.

As someone who is married to a card-carrying member of the Chinese Communist Party (the daughter of the Chairman of Dong Feng Motor Co, Liuzhou, no less), I take a special interest in these affairs.

As Chairman Mao famously said: “A journey of a thousand miles begins with a single step…”.

China has voted to establish specialised courts for intellectual property rights.  The decision was endorsed at the third meeting of the Central Reform Leading Group on Comprehensively Deepening Reforms, a top-level decision-making and coordinating body established by the 3rd Plenum of the 18th Central Committee of the Chinese Communist Party in November 2013.

The introduction of a court which specialises in Intellectual Property is as a crucial step forward for the protection of IP rights in China.  It continues a process of started in 1993 when the first IP tribunal was set up within Beijing’s First Intermediate People’s Court.

A great leap forward – without doubt.


Ian Penman


New Media Law LLP

For more details, please contact:

Or our Marketing Manager, Esther McHale at:

New Technology Transfer Block Exemption and Guidelines

On 21 March 2014 the European Commission (Commission) adopted a revised Technology Transfer Block Exemption Regulation (TTBE) and accompanying Guidelines (Guidelines).  The new rules will take effect from 1 May 2014 and follow a series of consultations on the draft texts that the Commission launched in 2011 and 2013.  We asked EU and competition law barrister Suzanne Rab of Serle Court about the key implications in practice. 

What, in brief summary, is the TTBE?

The TTBE provides a safe harbour or ‘block exemption’ for certain categories of technology transfer agreements that fulfil the conditions set out in the TTBE.  Where the requirements of the TTBE are met, the agreement will be compatible with Article 101 TFEU without the need for individual assessment.  The TTBE applies to a variety of IP licensing scenarios including licences of patents, know-how and software copyright.    As with other block exemption regulations, the application of the TTBE is conditional on the parties’ market shares not exceeding certain thresholds.  These apply to both the relevant technology and product markets concerned by the technology licensing arrangements (20% combined for agreements between competitors and 30% for agreements between non-competitors).  The application of the TTBE is also conditional on the non-inclusion of certain ‘hardcore’ restrictions which are set out in Article 4.  In addition, the TTBE contains a list of ‘excluded’ restrictions (Article 5) which do not benefit from block exemption but whose inclusion does not automatically prevent the TTBE applying to the rest of the agreement.  Such restrictions are subject to individual assessment to determine whether they are compatible with Article 101.  The Commission has published accompanying Guidelines which help parties and their advisors to determine whether the TTBE applies.  The Guidelines also provide guidance on the application of Article 101 to technology transfer agreements which do not benefit from the TTBE.  

In terms of the revised TTBE adopted on 21 March 2014, what are the main changes from the current TTBE which expires at the end of April 2014?

The key changes are the following: ·         The scope of exempted restrictions on passive sales has been narrowed.  As between non-competitors, the 2004 TTBE allowed a restriction of passive sales into an exclusive territory or exclusive customer group allocated by the licensor to another licensee during the first two years that this other licensee is selling the contract products into that territory or customer group.  This exception from the hardcore restriction on selling into allocated territories is removed.  However, the Guidelines allow this type of restriction where the restrictions are objectively necessary for a licensee to enter a new market.

·         All forms of exclusive grant-back obligations will be excluded from the TTBE.  This narrows down the scope of the TTBE.  The 2004 TTBE excluded only those exclusive grant-backs that related to severable improvements.  The aim is to ensure that there are incentives for follow-on improvements.

·         Clauses entitling the licensor to terminate the licence in the event of a challenge to the validity of the technology in a non-exclusive licence will not benefit from the TTBE.  Up to now it has been typical to provide the licensor with a right to terminate the licence in the event of a challenge to the IPR but this carve-out no longer enjoys the protection of the TTBE.  However, such a clause will amount to an excluded restriction so that its inclusion which not automatically prevent the TTBE applying to the remainder of the agreement.·         The current requirement that the purchase of raw materials or equipment in the context of a technology licence must be secondary to the technology licensing in order for the TTBE to apply has been removed.  The new TTBE will apply to such purchases where they are directly related to the production or sale of the contract products which are produced using the licensed technology. 

What was the main thrust of feedback from the consultation process?

The feedback from the first (late 2011) consultation was broadly positive in that most commentators thought that the TTBE and Guidelines were important tools to assist parties to determine the application of EU competition law to their licensing agreements.  Comments focused on issues such as the scope of application of the TTBE, market share thresholds, hardcore restrictions, grant-backs and cross-licensing.  The second consultation which expired on 17 May 2013 was supportive of the Commission’s intention to retain the broad structure of the TTBE and focused on amendments of an incremental nature.  Most comments related to market share thresholds, the treatment of termination clauses in the event of a challenge to the validity of IPR, grant-backs and patent pools.     

Are there any surprises and/ or provisions that will prove controversial?

The new TTBE is not a radical overhaul of the existing rules – it is more an evolution and tightening up of the existing structure.  Despite some simplification, the list of hardcore restrictions as between competitors remains substantially the same.However, the refined scope does mean that the new TTBE is less permissive than the previous version in some respects, in particular as regards the ability to impose restrictions on passive sales, grant-backs and termination provisions as already discussed.The changes to the Guidelines that are particularly noteworthy concern settlement and technology pools.  These changes coincide with the Commission’s competition law investigations into abuse of patent rights.The Guidelines provide that settlement agreements which lead to otherwise delayed or limited market entry may be restrictive of competition under Article 101(1).  If the parties are actual or potential competitors and there is a significant value transfer from the licensor to the licensee, the Commission will be vigilant to the risk of market sharing.  This reflects the Commission’s sustained interest in provisions which are frequently referred to as ‘reverse payments’ (in the current context, typically payments from the licensor to the licensee).  Another feature of the Guidelines is the stance on no-challenge clauses in settlements.  The Commission recognises that such clauses are often an inherent feature of settlements but considers that they may infringe Article 101, particularly where the underlying IPR is a necessary input for the licensee’s production.  This may strike industry as surprising since the very aim of settlement is to draw a line under disputes between the parties.  The extended provisions of the Guidelines on technology pools clarify the application of the safe harbour to pools.  The Commission notes that the concept of essentiality covers not only the position where the technology is essential for producing a particular product but where this is essential to meet a particular standard.  The safe harbour will apply not only to the creation of the pool but also to any licensing out to members.  However, any licensing arrangements between the pool and third parties will not be covered by the TTBE since such arrangements are considered by the Commission to be multiparty licensing arrangements where the parties collectively set the conditions for licensing.  

Has anything changed since the draft TTBE was circulated following consultations in 2011 and 2013? The Commission had initially proposed that the lower 20% market share threshold that applies to competitors would also apply to agreements between non-competitors where the licensee owns a substitute technology that it uses for its own in-house production.  Commentators thought that this would increase the complexity of the TTBE and was, in any event, a relatively unusual scenario.  The Commission has decided to retain the existing market share thresholds for competitors and non-competitors.Following the 2013 consultation, the TTBE will continue to apply to exclusive agreements which entitle the licensor to terminate the licence in the event of a challenge to the IPR (assuming that the TTBE market share thresholds are met).  This concession (i.e. exempting such clauses in the case of exclusive licensing) is intended by the Commission to achieve a better balancing of the incentives to innovate against the public interest in removing invalid IPR from the register.  Another refinement is that the Guidelines make clear that a restriction on passive sales in an agreement between non-competitors might be necessary for a period of longer than two years to enable the licensee to recover the costs of penetrating a new market. 

This content is based on material first published on LexisPSL Competition. A free trial is available here:

NEW MEDIA LAW signs Joint Venture agreement with PLEIMO.COM

Ian Penman, partner of New Media Law says:

“We are delighted to be officially on board with such an amazing new company as  Pleimo is the most exciting development in the world of musicians for many years, bringing a brand new revenue stream to the creative people that need it most”.

Pleimo is a new digital music service, originating from Brazil, and created by the inventor and entrepreneur, Dauton Janota.

It provides an immediate income to musicians whose fans decide to use its music streaming service, and nominate their favourite act.  Pleimo pays a monthly amount to each act, from the streaming subscription income.

Pleimo also offers a-la-carte downloads (per iTunes); ticketing services (per Ticketmaster); merchandising services and music publishing services to its artist clients.

Ian Penman from New Media Law has been appointed an executive director of Pleimo Corp (in the USA), as well as Pleimo Limited and Pleimo Music Limited (in the UK).

Rick Riccobono from New Media Law has been appointed to Pleimo Corp’s Advisory Board.


For further information, please contact: Esther McHale, Marketing Manager, New Media Law:  Tel: +44 207 291 1670

New Media Law and Pleimo

Photo: Left to Right: Christian Ulf-Hansen, Artist & Writer Relations, Pleimo; Gustavo Vaz, VGRI (Brazil); Richard Homer, Solicitor, New Media Law; Ian Penman, Partner, New Media Law/Director Pleimo; Rick Riccobono, Consultant, International Digital Rights Licensing, New Media Law/Advisory Board Member, Pleimo; Dauton Janota, CEO, Pleimo.

Getty makes its photos free!

In a radical move, Getty Images has allowed some 35,000,000 of its photographs, including images as varied as Adolph Hitler or Al Capone, to Marilyn Monroe or Marion Morrison (aka John Wayne), to be used royalty free without the Getty watermark.  The condition is that the user “embeds” a credit/link at the bottom of the image, which links to Getty.  Of course, that will also give Getty access to data (as to the photograph’s use) which it may be able to monetize.

Nevertheless, a brave step, which is akin to what groundbreaking “free music” services such as (originally), then, and now did for access to music.

For further details on licensing of copyright images, please contact:

Ian Penman, Paul Pattinson, Daniel Eilon, Michael Hekimian or Richard Homer at New Media Law

Tel: 020 7291 1670

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